Golf
 course art is rapidly assuming its own place among the ranks of golf 
collectibles. There have always been people who appreciate the beauty 
and complexity of a golf course layout, but it’s only recently that golf pictures
 by well-known photographers and golf artists can command top prices in 
the art world. Once, paintings of golf course holes were confined to 
gracing the walls of a golf club, or perhaps display in the home of a 
professional golfer who wanted to commemorate a particular win or pay 
homage to a devilishly difficult challenge on a golf course.
That’s
 true no more. For some years now, the Augusta National Golf Club, home 
of the annual Masters’ Tournament, has commissioned artists to paint 
each of the holes on the course. The original paintings hang in the 
club, and are sometimes lent out to museums, particularly during Masters
 Week. The artists frequently release limited series of prints to be 
sold on the auction and golf art collectibles market. There are a number
 of artists whose work routinely sells well, and a number of golf scenes
 that are guaranteed to attract buyers, even when painted or 
photographed by unfamiliar names.
Linda Hartough
In
 1984, Linda Hartough was commissioned to produce a painting of Augusta 
#13, and then of Augusta #16 and #18. She has since gone on to paint 
other holes on the course, including Augusta #12,
 Golden Bell. Hartough is the only artist commissioned to produce 
paintings for both the U.S. Open and the British Open. The official U.S.
 Open series includes 20 paintings, and the British Open series includes
 all eight courses in the rotation. Nearly all of them are available to 
collectors as limited edition prints.
Marci Rule
Marci
 Rule is known for her sports art, but it is her golf landscapes that 
have brought her the most fame. Rule began her love affair with golf 
course art when she lived in Pinehurst, NC. In the 16 years since, she 
has painted the best-known golf holes throughout the country, including 
all three holes of the Amen Corner at Augusta National, including 
Augusta #12, which she has painted at least twice in different light and
 different times of year. Her new golf pictures are always eagerly 
awaited by fans of her work, who often place orders for prints before 
the actual release.
Golf
 course art graces the walls of many offices and public buildings, but 
more and more, these classic golf pictures are finding their way into 
private homes and private collections. If you’re a fan of golf pictures,
 this is the time to start or add to your collection of signed golf 
course paintings.
 
 
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